Alla Battaglia
Heinrich Isaac’s battle piece for ATTB recorder quartet.
Scores, recordings, and scrolling-score videos for Renaissance, Baroque, and traditional music arranged for recorder ensembles.
Please contact Steven Light with errors, suggestions, requests for compositions, or instrument customization at any time.
Heinrich Isaac’s battle piece for ATTB recorder quartet.
Jouyssance and Tant Que Vivray by Claudin de Sermisy.
Two dances collected by Pierre Phalèse, arranged for SATB recorders.
Ave Verum Corpus and O Magnum Mysterium for recorder quartet.
Fantasias Nos. 1 and 3, set for SAT recorder trio.
Come Lovers, Follow Me; My heart, why hast thou taken?; and Hark! Jolly Shepherds.
Hans Leo Hassler’s lively canzona for ATBGb recorder quartet.
Gabrieli’s polychoral work for three recorder quintets.
John Baldwin’s three-part piece, set for SAT recorder trio.
Sweelinck’s keyboard variations, set for SATB recorder quartet.
Four movements by Matthew Locke for recorder quartets.
Five-part Sinfonias, including two recorder versions of No. 3.
Zelenka, arranged for AAB recorder trio.
J. J. Quantz, set for three equal recorders.
J. S. Bach arranged for recorder ensemble.
J. S. Bach’s Air, widely known as “Air on the G String.”
J. S. Bach, complete arrangement.
Four settings of Christus, der uns selig macht.
Three tune pairs from John Playford’s Dancing Master (1651).
Four tunes by Turlough O’Carolan for recorder quartet.
Two O’Carolan planxties for three recorders and a chordal instrument.
A pastoral Robert Burns song, arranged for SATB recorder quartet.
A traditional dance from Santiago de Compostela, Galicia.
A Galician medley: two recorder duets and a flexible trio.
Macedonian and Bulgarian folk tunes for recorder quartet.
Three traditional Swedish tunes harmonized and arranged for recorders.
An Icelandic song for recorder quartet.
A Swedish waltz after Katrina Lundstedt from Hälsingland.
By Jay Unger and Molly Mason, with two optional recorder parts.