MUS-3720-J01
Seminar in Music Education
Spring, 2010 – Johnson State College
Thursdays, 4:00 PM – 5:40 PM
Bentley 207
Instructor: Steven Light
Email: Steven.Light@jsc.edu
Phone: 802.426.3498
Class website: www.fyreandlightning.org/jsc
Course Description: Seminar in Music Education is to be taken by all music education majors every
semester it is offered starting with the sophomore year and continuing until the
studentsÕ practicum semester.
The purpose of this course is to provide students with (a) a variety of placements in the field of music education, (b) supervision in the field, (c) guidance in the development of a professional portfolio, (d) experience in job search and interview techniques, (e) readings and discussions about general and current topics in public school music education, (f) exposure to the Vermont MIDI Project as collegiate mentors, (g) an understanding of curriculum development.
The course
is intended to serve the prospective music teacher as a pre-service forum for
issues, experiences, problems, and questions that may arise during the
studentsÕ field experiences.
Objectives: Throughout
the course, students will:
Students will observe teachers for
a minimum of 20 hours each semester. By the time students are ready to begin
their practicum semester they will have observed a wide variety of classes
including elementary general and instrumental music, middle school general,
vocal and instrumental classes and high school music classes.
In addition to class-wide assignments and class discussions and projects
First semester
students will:
Second semester students will:
Third semester students will:
1. Observe music educators for a minimum of 20 hours during the course of the semester. These observations will be chosen by the student in consultation with the instructor to compliment the previous observations and record structured observations and journal reflections and keep a log of all visits.
2. Develop an independent project in music education, applying teaching strategies in a private or community setting. This project must be approved and needs to include a log of all activities, a formal lesson plan, connections to the VT and National Standards, appropriate assessment tools and evaluation questions.
3. Videotape and self-assess at least one lesson, activity or project.
4. Continue to address specific topics and questions related to education, personal growth and professional growth.
5. Finalize and polish the portfolio.
6. Finalize the rŽsumŽ.
7. Prepare and participate in a mock job interview (as both interviewer and interviewee).
8. Act as collegiate mentors for the VTMIDI Project.
Hoffer, Charles, Introduction to Music Education-Third Edition *
Required Text
Danielson, C. Enhancing Professional Practice: A Framework for Teaching.
Introduction to a
Framework for Teaching: Workbook.
(Available in the bookstore)
Five Standards for
Vermont Teachers
National Standards for
Arts Education
Various articles in
music education publications such as:
Brand, M. (1990). Master music
teachers: What makes them great? Music Educators Journal, 77(2), 22-25.
Cowden, R. L. (1990). Interviewing
successfully: The right moves. Music Educators Journal,
77(2), 37-39.
Faulkner, Q. (1998). Granton: A
parable of change. Music Educators Journal, 84(4), 17-20.
Fowler, C. (Nov 1994). Strong
arts, strong schools. Educational Leadership, 4-9.
Michalski, S. F. (1983). The best
you can be: Criteria for self-evaluation. Music Educators Journal, 58-59.
Rehbein, S. (Nov, 1988). Tips for
new teachers. The Instrumentalist, 43, 13-15.
Wignes, G. (1995). Strategies to improve student response. Music Educators Journal, 81(4), 27-32.
Assignments: Detailed descriptions of assignments and projects will be given and discussed in class and will include:
Grading: TodayÕs teachers must be able to communicate ideas through verbal and written means. Grades will be based on student attendance and participation in class, participation in all field experiences and successful completion of all assignments, especially the quality of written journal reflections, the professional portfolio and rŽsumŽ. All assignments are due by the class they are assigned for. Late work will only be accepted if a request for an extension is requested before the due date and with a ½ letter grade deduction per week
Attendance: Because class participation is such an important component of the class and because much of the class is centered on student discussion, class attendance is of the utmost importance. Unexcused absences will affect your final grade.
Class time will be
devoted to:
á Discussion of field work
á Discussion of weekly special topics
á Discussion of the assigned readings and associated chapter questions
á Curriculum design
á MIDI Mentoring check-ins
á Presentations of portfolios and rŽsumŽs
á Mock interviews
á Miscellaneous student generated questions
Communication: Students are encouraged to contact me for any reason. There will be time at the end of each class meeting for one on one meetings.